All That Is Solid Melts Into Air

The Philosophy of Composition

Will in the World

Marxism and Literature

The Discarded Image

The Republic of Imagination

Dostoevsky: A Writer in His Time

On Photography

The Possessed

Chaucer: His Life, His Works, His World

Joseph Conrad: A Critical Biography

Tennessee Williams: Mad Pilgrimage of the Flesh

Postmodernism, or, the Cultural Logic of Late Capitalism

Henry James: A Life

Imaginary Homelands: Essays and Criticism 1981-1991

Emily Dickinson

In the American Grain

John Donne: The Reformed Soul

Rabelais and His World

Jonathan Swift: His Life and His World

Six Memos for the Next Millennium

The Anxiety of Influence

The Men in My Life

Shakespeare's Wife

Reading Like a Writer

The Decay of Lying

Mimesis

How Should One Read a Book?

A Philosophical Enquiry Into the Origin of Our Ideas of the Sublime and Beautiful

The Madwoman in the Attic

How To Read Literature Like A Professor

Powers of Horror

Playing in the Dark: Whiteness and the Literary Imagination

Aspects of the Novel

Poetics

Ion

The Death of the Author

How to Read Poetry Like a Professor

The Birth of Tragedy

Modern Fiction

From Bauhaus to Our House

The Great War and Modern Memory

An Essay of Dramatic Poesy

Culture and Imperialism

The Defence of Poesy

Epistemology of the Closet

The Uses of Enchantment

On Fairy-Stories

The Signifying Monkey

Tradition and the Individual Talent

Mr. Bennett and Mrs. Brown

A Swim in a Pond in the Rain

Biographia Literaria

How to Read and Why

The Art of Fiction

An Essay on Criticism